On Friday night, Canadian singer-songwriter and pianist Laila Biali was the second guest of Harker’s Virtual Concert Series, which features a rebroadcast of a past Harker concert followed by a live chat with the artist. She spoke and answered questions about her career and songwriting process.
Speaking via Zoom from her home in Toronto, the Juno-winning Biali answered questions posed by Dave Hart, upper school instrumental music chair, as well as viewers. She recalled how she found an interest in music at a very early age, starting piano at just 3 and half years old and having aspirations of attending Juilliard or the Curtis Institute of Music by her teens. At 15, she suffered an injury in a car accident that severely limited the use of her right arm. During her recovery, she began learning jazz, which she described as “like learning a new language.”
Her career as a singer began while performing at a jazz festival, where she was offered a scholarship to Toronto’s Humber College and found singing and songwriting as new modes of expression. Later, while touring with a group called Sisters of Jazz, Biali was invited to join trumpeter Chris Botti’s band, which eventually led to her moving to New York. There she found work with Paula Cole (during which she met her husband, Ben Wittman) and Sting, a gig that saw her travel to the English singer’s estate in Tuscany. “Sting is your quintessential rock star,” said Biali. “He could totally be what we call a devo, the male version of a diva. He could just waltz into rehearsal whenever he wanted.” Biali was also inspired by Sting’s discipline and work ethic: “He was the first to arrive and the last to leave, without fail.”
Discussing her approach to songwriting, Biali described the process as seldom constant. “It’s changing all the time and in some ways, it’s really informal,” she said. “There’s a point where it becomes a discipline and I have to sit down and hone the idea.”
Biali finds “raw material for songs all around me,” she said. Sources include news stories and various sights and sounds of the cities she’s lived in or visited. She often leaves voice memos on her phone.
One of her favorite activities is heading to the Banff Centre in Alberta to complete songs she has begun writing, because of its environment and access to resources. “For each of the past three records, that has been an integral part of finishing the songs,” she said. She also runs ideas by her husband, who she said “felt like an ally and a friend right away” upon meeting him when they both worked for Paula Cole.
The video of Biali’s performance at the Patil Theater in September 2019 will be available to view until Mon. Dec. 21. Her latest solo album, “Out of Dust,” and her rendition of “Silent Night” are now available on Spotify, iTunes and other services.
Attendees at Friday night’s Harker Concert Series season opener got an earful, as Laila Biali brought no shortage of energy and emotion, performing a wide selection of original songs and arrangements of several of her favorite songs, all driven by her powerful vocals and accomplished piano work.
Biali had a story for each of the songs she performed with her trio – drummer Mike Quigg, bassist Josh Thurston-Milgrom and trumpeter (and upper school music teacher) Dave Hart – which worked in her favor, as her ability to tell stories made each tune feel a little more special, as though she was sharing the songs with the audience, and not just playing for them.
The opening two songs, both inspired by her experiences living in New York City, were also two of the evening’s highlights. “We Go” celebrates the city’s famous nightlife with an up-tempo, shoulder-moving urgency that provides the perfect backing for Biali’s impressive vocal talents and skyscraper-climbing range. Meanwhile, “Got to Love” is a fast moving paean to the borough of Brooklyn as it undergoes and attempts to beat back the gentrification that has swept over the area in the last decade.
Biali also has a keen ear for covers and how to arrange them to suit her strengths without sacrificing the power of the source material. This rare talent was most apparent on her rendition of K.D. Lang’s “Simple,” featuring a delicate vocal over a shimmering piano, effortlessly bringing out the aching joy in Lang’s lyrics. Meanwhile, concert closer and David Bowie hit “Let’s Dance” retained the no-nonsense beat of the original while incorporating Biali’s jazzy sensibilities and putting her smoky, bluesy vocals in place of Bowie’s throaty theatrics.
Biali’s trio turned in stellar work throughout the evening, particularly impressive as Biali noted that they had been playing much of this music for the first time. Although Biali was the star of the night, Quigg, Thurston-Milgrom and Hart each left their mark with stand-out solos and tight interplay.
Attendees at Friday night’s Harker Concert Series season opener got an earful, as Laila Biali brought no shortage of energy and emotion, performing a wide selection of original songs and arrangements of several of her favorite songs, all driven by her powerful vocals and accomplished piano work.
Biali had a story for each of the songs she performed with her trio – drummer Mike Quigg, bassist Josh Thurston-Milgrom and trumpeter (and upper school music teacher) Dave Hart – which worked in her favor, as her ability to tell stories made each tune feel a little more special, as though she was sharing the songs with the audience, and not just playing for them.
The opening two songs, both inspired by her experiences living in New York City, were also two of the evening’s highlights. “We Go” celebrates the city’s famous nightlife with an up-tempo, shoulder-moving urgency that provides the perfect backing for Biali’s impressive vocal talents and skyscraper-climbing range. Meanwhile, “Got to Love” is a fast moving paean to the borough of Brooklyn as it undergoes and attempts to beat back the gentrification that has swept over the area in the last decade.
Biali also has a keen ear for covers and how to arrange them to suit her strengths without sacrificing the power of the source material. This rare talent was most apparent on her rendition of K.D. Lang’s “Simple,” featuring a delicate vocal over a shimmering piano, effortlessly bringing out the aching joy in Lang’s lyrics. Meanwhile, concert closer and David Bowie hit “Let’s Dance” retained the no-nonsense beat of the original while incorporating Biali’s jazzy sensibilities and putting her smoky, bluesy vocals in place of Bowie’s throaty theatrics.
Biali’s trio turned in stellar work throughout the evening, particularly impressive as Biali noted that they had been playing much of this music for the first time. Although Biali was the star of the night, Quigg, Thurston-Milgrom and Hart each left their mark with stand-out solos and tight interplay.
Attendees at Friday night’s Harker Concert Series season opener got an earful, as Laila Biali brought no shortage of energy and emotion, performing a wide selection of original songs and arrangements of several of her favorite songs, all driven by her powerful vocals and accomplished piano work.
Biali had a story for each of the songs she performed with her trio – drummer Mike Quigg, bassist Josh Thurston-Milgrom and trumpeter (and upper school music teacher) Dave Hart – which worked in her favor, as her ability to tell stories made each tune feel a little more special, as though she was sharing the songs with the audience, and not just playing for them.
The opening two songs, both inspired by her experiences living in New York City, were also two of the evening’s highlights. “We Go” celebrates the city’s famous nightlife with an up-tempo, shoulder-moving urgency that provides the perfect backing for Biali’s impressive vocal talents and skyscraper-climbing range. Meanwhile, “Got to Love” is a fast moving paean to the borough of Brooklyn as it undergoes and attempts to beat back the gentrification that has swept over the area in the last decade.
Biali also has a keen ear for covers and how to arrange them to suit her strengths without sacrificing the power of the source material. This rare talent was most apparent on her rendition of K.D. Lang’s “Simple,” featuring a delicate vocal over a shimmering piano, effortlessly bringing out the aching joy in Lang’s lyrics. Meanwhile, concert closer and David Bowie hit “Let’s Dance” retained the no-nonsense beat of the original while incorporating Biali’s jazzy sensibilities and putting her smoky, bluesy vocals in place of Bowie’s throaty theatrics.
Biali’s trio turned in stellar work throughout the evening, particularly impressive as Biali noted that they had been playing much of this music for the first time. Although Biali was the star of the night, Quigg, Thurston-Milgrom and Hart each left their mark with stand-out solos and tight interplay.