The Rothschild Performing Arts Center, due to open in February 2018, is designed to present a wide variety of wonderful shows to a comfortable audience, and there are a thousand elements, literally behind the scenes, that will enhance that experience. Here is a look at a few of the bigger elements that will make this center an outstanding performance venue for the Harker community for decades to come.
Architects for both the performing arts and athletic centers are Studio Bondy Architecture and Kevin Hart Architecture, which joined forces to design the gym and the theater, including the interiors and the site development, said Kevin Hart.
“As with any project of similar size, there is a large team of in-house architects and designers, consultants and sub-consultants,” he said, “in addition to the general contractor and subcontractors, who have important roles in the design and execution.” Of these many critical subcontractors, two play key roles in the development of the theater technology.
“The theater experts, The Shalleck Collaborative, worked as consultants to the architects to inform the design of the auditorium itself, the stage, rigging, theatrical lighting, orchestra pit, movable orchestra shell, control room, dressing rooms, and many other details,” noted Hart. “They also provided design of A/V systems, including the LED wall in the lobby.
“The acoustical experts, Charles M. Salter Associates, worked as consultants to the architects to design the acoustical qualities of the auditorium, which is adjustable for different uses. They also provided guidance for the acoustics in the rehearsal rooms and designed many of the wall and ceiling assemblies to prevent noise intrusion from outside and improve sound control between rooms.”
Display Wall
The most noticeable item attendees will see is the 34.5-foot-wide, 15-foot-high color LED display wall in the lobby. The display will showcase professional and student work. Once inside the building, the magic of technical theater won’t be as visible, but will provide for a remarkable audience experience.
Orchestra Pit Lift
One of the biggest and coolest pieces of equipment in the new facility is the custom-made, electromechanical orchestra pit lift. The lift is capable of raising and lowering the 48-foot-wide by 10-foot-deep elliptical segment of floor, 332 square feet in all, fully loaded. The segment can be used as a stage extension, for additional seating or as an orchestra pit.
Hart noted the lift platform is a steel superstructure with two interconnected heavy-duty motors which raise the platform on four “Spiralift” columns, Model #ND9, by Gala Systems.
These columns, fascinating pieces of machinery, are created anew each time the lift is used. Motors turn the column bases and a vertical steel band is locked into a spiraling horizontal steel band (picture a giant, high tech slinky) so the column “grows” as it goes up and is disassembled as it comes down, eliminating the need for a deep pit beneath the lift to house the column when in the down position.
Gala Systems noted the system is highly stable vertically and laterally, very quiet, nearly lubricant-free to eliminate any smell and should last the life of the facility with very little maintenance. The system is used in the Kennedy Center for the Performing Arts in Washington, D.C., and 55 countries around the world. Check out this video on how the system works: http://bit.ly/2yrGTEF. The lift will also be used to move the Bosendorfer concert grand piano from its stage-level closet to underneath the stage if needed. More about this wonderful piano in a future article!
Professional Fly Tower
Another of the major components is the fly tower, containing 35 counterweighted rigging battens for moving scenery, lighting and special effects, and the top of the movable concert orchestra shell. Each batten can be used to raise an item, or they can be used together to raise larger items.
There are three battens for moving the top of the orchestra shell (the back and side pieces roll into place), five battens dedicated to stage lighting and 27 scenery battens, said Jedd de Lucia, a principal at The Shalleck Collaborative. The eight battens that control the orchestra shell and the lighting racks are motorized and can lift up to 2,800 pounds each, while the remaining 27 battens, capable of lifting 1,500 pounds each, are controlled by hand – the counterweights make it possible to move the relatively lightweight scenery up and down by hand. The rigging and lighting equipment is accessed via a series of perforated metal catwalks that run the width of the fly.
Sound and Acoustic Tuning
The main audio control console will be a Yamaha QL5 mixing board, said deLucia. This state-of-the-art soundboard was chosen for its versatility, ease of use and compact size. These soundboards are in use in many venues worldwide.
“The speaker system has a left and a right line array for the main PA speakers as well as supplemental ‘fill’ speakers at the front row as well as below and above the balcony,” noted de Lucia. The system uses the ARCS series of speakers from L’Acoustics, a French manufacturer of loudspeakers, amplifiers and signal processing devices, include ARCS-Series Wide and Focus speakers for main left and right speakers; SB18i subwoofers; X8 balcony fill speakers and 5Xt speakers for under-balcony and front fill speakers. The system is driven via 4-channel LA4X amplifiers. Full specifications can be found at http://www.l-acoustics.com/products-catalog-75.html
The center will have a custom-built, moveable orchestra shell enclosure to create a fuller, more directed sound, said Hart. “The shell consists of overhead ceiling reflectors and rolling wall towers, which will provide an excellent acoustic environment for music performances,” he said. “The theater will also have an audio-visual system to support amplified music and musical theater as well as a projection system for media presentations, including movies.
“Further, the acoustics of the hall can be adjusted for different kinds of performances, like acoustic music, amplified media and spoken word. The mechanism for this adjustability is made up of four banks of curtains, located out of sight above the ceiling, which can be pulled open or drawn closed to change the sound of the hall,” Hart noted.
Lighting, Trap and Curtain
The stage’s production lighting system uses LED stage lighting fixtures, without dimmers, on 96 relay-controlled circuits, and is capable of millions of colors at the touch of a button. The system will be run from the Electronic Theater Control Ion Lighting Console with a 2 x 20 fader wing, said de Lucia. Each batten is capable of carrying up to 50 lights, with a light about every foot along the lighting racks.
The trap, mid-stage, “is 12 removable pieces of the stage floor, which opens access to a room below the stage,” said Hart. “There is no elevator or lift; it will be up to the technical directors to build whatever device makes sense for each production. It could be as simple as a stepladder, or something more elaborate, but the main thing is to enable this special, magical capability to emerge from or disappear into the floor.”
The main curtain of the auditorium, with fabric from one supplier, sewn by a second and hung by a third, from is made of red velour, sewn with fullness. Curtains with fullness have extra fabric across the width or height of the drape. This gives the drape a richer look while increasing depth of field, and the heavy curtain provides more light and sound absorption.
That stage curtain is only a few months from swinging open for the first time. Watch for further updates each month as the Rothschild Performing Arts Center nears completion in February.
Lower and middle school families that donated to the latest phase of our capital campaign gathered for two ice cream socials on the upper school campus this month to get a close-up look at the construction of our new performing arts and athletic centers. The gym is slated to be finished in June 2017 and the performing arts center by December 2017. For more information on the campaign and updates on the project, visit http://www.harker.org/giving/capital-giving.
Donna Gilbert, history and social science chair, opened the event with remarks about each of the grant programs. She remembered beloved history teacher John Near, who passed away in 2009, saying, “He inspired in his students a love for the excitement of historical exploration, which lives on in this special program.” Gilbert also had kind words for the Mitra family, “whose vision and kindness extended the scholars program to allow students opportunities to study topics in the broader disciplines of the humanities and social sciences.”
This year’s John Near scholars are seniors Jasmine Liu (“A House Divided: Residential Segregation in Santa Clara County”), Sadhika Malladi (“Graphic Soldiers: Popular Sentiment as Reflected in Captain America and Spider-Man”), Zarek Drozda (“Learned Lessons: Financial Innovation and the Panic of 1873”) and Sahana Narayanan (“’Bee-Boppa-Doe’: The Sounds of Musical Revolution”).
The 2016 Mitra scholars are seniors Elisabeth Siegel (“Ideology Through Subliminal Propaganda: A Critique of Portrayals of Palestine and Palestinians in Israeli and Western Online News Media during Operation Protective Edge”), Kaitlyn Gee (“Pretty in Punk: An Examination of European Female Punk Rock of the 70s and 80s Through a Feminist Lens”), Natalie Simonian (“Whispers in Russia: The Influence of the Rumors Surrounding Empress Alexandra Feodorovna on the Russian Revolution and Their Role in the German Effort to Overthrow the Tsarist Regime”) and Kavya Ramakrishnan (“The Eggleston Effect: Color Photography as Fine Art”).
“These eight seniors conducted “hundreds of hours of research that led … to scholarly analysis of musical scores, journals, maps, images, song lyrics, interviews and on and on,” said library director Sue Smith.
All of the scholars took the stage to share their thoughts on their research and thank their mentors for their invaluable guidance. Malladi, who shared heartfelt thanks to mentors Katy Rees, upper school history teacher, and upper school librarian Lauri Vaughan, also thanked her parents “for almost believing me when I said I was reading comic books for research.
“Being a Near scholar has been an incredible experience,” she continued. Although she found the research initially “more passive” than the kind of work she had become accustomed to, “I realized it was my responsibility to think critically about what I read.”
Gee also had kind words for her mentors, upper school English teacher Ruth Meyer (who wore Doc Martens in keeping with the theme of Gee’s work) and Sue Smith: “Their encouraging, patient and accommodating nature is beyond compare.”
She also expressed her gratitude to Harker “for providing me with 13 years of outstanding education.” A video of the entire reception is now available for viewing.
This article originally appeared in the fall 2015 Harker Quarterly.
Last spring, a new two-building design for the athletic and performing arts complex on the Saratoga campus was announced during Harker’s Night on the Town gala, following the strong response from the community in meeting the Rothschild Challenge. In addition, a second inspirational match was offered by a generous Harker family who wishes to remain anonymous. With these two historic gifts, plans have been confirmed to break ground in spring 2016. Construction on the complex will begin while the school is in the midst of raising the final $7 million to meet the capital campaign’s goal. The exact completion date will be influenced by the ability to reach that goal. Should the objective be met, a ribbon-cutting ceremony will be planned for fall 2017.
New Two-Building Design
The two-building design will include outstanding facilities for learning and allow for plenty of green open space, enabling the buildings to integrate seamlessly with the rest of the campus. In addition, a central quad has been added where students can gather during the day, adding to the already collegiate feel of the school. This new feature will help preserve the current amount of parking spaces and allow Harker to push the parking toward the back wall facing Interstate 280, helping to increase the safety of students walking through campus as well as minimizing noise pollution.
Currently, upper school athletes and performing arts students need to be shuttled to the middle school’s Blackford Avenue campus – and even off-site to larger theater venues – for games and performances. The new design is a necessary step toward planning for the eventual transition out of the Blackford Avenue campus lease, so that upper school students have facilities on their own campus.
Athletics Building
The planned two-floor athletics building has features including a training room, fitness room, hydrotherapy room, team and locker rooms, and a regulation-size gymnasium. An added benefit to the redesign is the close proximity of the athletics building to Davis Field and the Singh Aquatic Center. Students will no longer have to walk across the parking lot from the locker room to other athletic facilities. The new gym will also cultivate school pride as students can go and watch sporting events happening right on campus.
Performing Arts Building
The new performing arts center incorporates much-needed features such as a fly loft and larger professional stage, which will allow students to produce higher quality performances worthy of their skill and ability. The center also includes an orchestra pit, a large rehearsal space, medium and large vocal rooms and a scene shop. A unique element of the performing arts center will be a gallery space to showcase students’ visual arts pieces.
Together, ‘Let’s Make It Happen!
The new performing arts and sports complex is a much-needed addition to the upper school campus. Not only will it serve performing art and student athletics, but also other schoolwide and public events, including the research symposium, Harker Speaker Series, and business and entrepreneurship programs.
Last fall, a historic $10 million challenge from the Rothschild family was announced. This gift matched any contributions made to the capital campaign for the new performing arts and sports complex.
Recently a Harker family, who had already given $3 million to help Harker meet the Rothschild Challenge, was inspired by the response of the school community to the challenge. In addition to their first gift, the family decided to make an inspirational matching pledge of $7 million. They wanted to go a step above and inspire other families to join them, and now they want to provide additional families with the same opportunity to double the impact of their capital gifts.
Families who did not have the opportunity to increase their support during the limited six month period that the Rothschild Challenge was in effect will now be able to do so. This might include families who are new to the school or who have decided to make an additional gift to the capital campaign now that the complex is set for construction and the benefits are in sight.
“As they sat down to complete the paperwork for their contribution, the father could not contain his excitement and exclaimed, ‘Let’s make it happen!’ – so we are calling this last appeal for this campaign the ‘Let’s Make It Happen’ phase,” explained Joe Rosenthal, executive director of advancement.
How Does the Campaign Work?
For any family who participates in the annual campaign, and also makes a gift to the capital campaign, the donor will match the amount of the capital campaign donation, dollar for dollar up to $7 million. Contributions will have a positive impact now and for the future of The Harker School, further solidifying its place among the finest independent schools in the nation.
For updates and information about giving to the capital campaign, please visit www.harker.org/giving/capital-giving.
Beginning in June 2016 Harker launched two new state-of-the art building projects on the upper school campus, the result of a $45M capital campaign. The 33,000 square-foot athletic center, opening August 2017, features a 12,000 sq.-ft. gym, athletic training room with advanced hydrotherapy unit, and spacious team rooms. The Rothschild Performing Arts Center, opening spring of 2018, features a 450-seat theater with fly loft and hydraulic orchestra pit, a state of the art scene shop, vocal, instrumental, theater/musical theater classrooms and dressing rooms. For more information visit the news and video links below or contact communications@harker.org
Each year a set of seniors receives funds to research and write papers on topics of choice and this year’s array of papers continues the tradition of presenting both historical and societal issues covering a large spectrum.
Papers range from an insurance industry analysis to an exploration of music written under communist rule. Five papers were funded by endowments from the John Near Excellence in History Education Endowment Fund, and four were funded by the Mitra Family Endowment for the Humanities. Each author had support from mentors, often including a teacher and a librarian, and each paper is unique, filled with careful research and worthy of attention. All papers can be found in PDF form at http://library.harker.org/upperlibrary/nearmitra.
Aadyot Bhatnagar, Mitra Scholar: “Using Antimalarial and Insecticide Resistance to Contextualize the Future of Malaria Control in Tanzania”
Bhatnagar has clearly mastered his subject, exploring the remedies used to control malaria now, their effectiveness and lifecycles, as well as the remedies available to combat mosquitos’ growing resistance to the usual insecticides. He is in good company in his efforts, as the Bill & Melinda Gates Foundation has committed millions to malaria eradication through various methods.
The paper focuses, as do many treatments, on how to keep children from contracting malaria. Bhatnagar explores the medical ramifications, provision of, costs, and long- and short-term values of insecticides, and provides statistics on benefits and failure rates. In the end, he makes concrete recommendations to help better use insecticides: “This paper recommends exploiting the rise of accredited drug dispensing outlets (ADDOs), which are staffed by workers accredited through a dispensers’ course approved by the Tanzanian Food and Drugs Authority,” as opposed to supplying drugs through general stores.
Bhatnagar also notes the importance of keeping health care workers motivated as they test patients for malaria using rapid diagnostic tests (RDTs): “On the health care side, Tanzania’s Ministry of Health (MoH) currently provides a two-day, 16-hour RDT training program to provide health workers with the knowledge and skills to properly use RDTs in malaria treatment. … In order to maintain good clinical practices well after such training has been concluded, this paper looks to Kenya, where health workers are texted daily reminders of the necessity of RDT usage accompanied by motivational messages intended to reinforce the importance of following RDT test results in reducing the national prevalence of malaria.”
Ayush Midha, Near Scholar: “Blackout: The Case for Black Power in 1960s Liberation Politics”
Ayush Midha has produced a closely reasoned paper discussing the variance between governmental efforts to desegregate and to empower blacks, exploring both the non-effects of governmental intervention and the ill effects of ingrained attitudes in the entrenched press, and noting the missed perception of what black leaders were trying to accomplish above and beyond black militancy.
His paper retails a litany of false assumptions on the part of the white establishment on how best to help blacks break free of economic subservience. There was no lack of information on the subject; Midha’s research ranged from late-1960s articles in The Washington Post to scholarly papers written in the last few years.
Midha’s report is essentially an examination of attitudes from the late 1960s when “black power” was both a rallying cry and a serious effort by deeply committed black community members to make substantive changes in how black people lived. The Washington Post, despite flying in the face of the establishment its 1973 exposure of Watergate criminals, at this period, took a very conservative view of the overt and insistent efforts of black community leaders to force white people to begin to understand the depth of racial inequality.
Midha makes the case that white people are only going to help so much, willingly, even if they have the best motivation because, ultimately, their concern is with like populations, not with those outside their comfort zone. He noted that the Democratic Party was as culpable as any white-dominated group, taking on the black cause, but limiting itself to goals that can be checked off and showcased, rather than making a philosophical commitment to real change.
Midha notes that Black Panther Party (BPP) leaders recognized that change was glacial and set out to change the way blacks and whites perceived the change process in order to accelerate it. The BPP was characterized as advocating violent change and came under scrutiny that frustrated its adherents and eventually destroyed the party. Midha has written an important paper that will enlighten anyone interested in how black activism progressed and was stymied at various points by establishment organizations. For further perspective on Black Panther history, see the 2014 Near Endowment paper by Divya Kalidindi, “Watching and Wiretapping: An Analysis of the Implications of the FBI’s Illegal Counter-Intelligence Programs against the Black Panther Party during the 1960s.”
Maya Nandakumar, Mitra Scholar: “The Enchantment of the Habit”
Maya Nandakumar has delved into an interesting corner of Catholic history with her examination of the roots of Catholic female religious orders, and presented some interesting points on their establishment in the Middle Ages. Nandakumar asserts the orders were only reluctantly sanctioned by most religious leaders after having sprung from weaknesses within the church that developed during times of great stress.
Nandakumar notes the convents grew from a series of events including greater control by the church as its administration over European religious activity grew more complete, but then broke down under the great loss of both humanity and faith that occurred during plague times. Women were first stigmatized as descendants of Eve (naturally overlooking that men were descendants of the equally guilty Adam), thus unworthy to take an active role in the church.
As the plague broke down civic and religious barriers due to its impartiality in afflicting both the most and the least pious, a secondary, female icon emerged, that of Mary, the mother of Jesus, allowing, eventually, greater latitude to women in participating in the church. Establishing their rights in the face of a paternal and highly controlling church was a 400-year battle, however.
One of the first sanctioned orders, the Franciscan Clarists was formed to give women a sanctuary from a harsh world while providing them with a religious role. The Catholic Church has vacillated on many topics throughout its 2,000-year existence and nunneries were given mixed blessings by various popes as the decades ticked past.
One of the most interesting insights in the paper is how church leaders came to understand that convents were valuable additions to the church’s galaxy of orders. Nandakumar notes: “As the Church and its subjects began to see virginity as a mark of honor in addition to an instrument for control, a path was paved for the women’s religious movement. It is clear that one could not have existed without the other, for the impact of the former made the latter more feasible.” Followed by the assertion: “By absolutely condemning premarital sex, the Church provided only two distinct paths for women: either marriage or the convent.” We have long since moved beyond such narrow paths for women, but it is fascinating to read how the development of convents affected the Catholic Church, and thus a large proportion of the European population.
Karnika Pombra, Near Scholar: “The United Fruition: A Historical Analysis of the Motives for the 1954 U.S.-Backed Guatemalan Coup”
Karnika Pombra has written a fascinating vignette of how the United States used the Cold War for economic empire building. The crux of the report is that the Dulles brothers, Allen and John, respectively head of the CIA and secretary of state, used their political influence to get the CIA to trigger and support a coup in Guatemala in order to restore land to the United Fruit Company, on whose board of directors both men sat.
Pombra notes that John used his influence with then-President Dwight Eisenhower to convince him Guatemala was edging closer to full-fledged communism to get approval for the coup, but that the situation was far from black and white, and that the Guatemalan regime was not overtly communist. The regime was definitely socialist in action, having appropriated 234,000 acres of United Fruit Company’s 550,000 acres in Guatemala, a clear assault on an agricultural company’s ability to survive. Naturally, the United Fruit Company objected to this and, according to Pombra, used its influential board members to arrange for the 1954 coup.
It seems fairly obvious the U.S. was interfering with foreign politics, as all countries with the influence to do so will; but in this egregious example, two high-ranking U.S. government officials were also on the board of the company most economically affected by the supposed communism of the Guatemalan government. Pombra asserts the Guatemalan government of the time was not strictly communist and that Eisenhower, a hard-headed man used to the machinations of both his own and foreign governments, was convinced by his secretary of state that the coup was necessary for national security. This was the era where workers everywhere were overthrowing dictatorial governments with armed assistance from the Soviet Union and Red China, and Guatemala appeared to be another state about to come under communist control.
The U.S. had already fought a hot war in Korea to stymie communism and went on to fight communism around the world, notably in Cuba and Vietnam, instances of cold and hot wars meant to curb the efforts of a shadowy, reconstituted Comintern that threatened democracy. All of the communism vs. democracy instances during the Cold War era will someday be examined as a whole, through the prism of time, and perhaps then a more rational and scholarly summary of the value of the U.S. effort to curb communism will emerge. Until then, there are travesties like the Guatemalan coup juxtaposed with heroic efforts like saving South Korea from communism to ponder.
Apoorva Rangan, Near Scholar: “The Tet Offensive and the MACV’s Information Defensive: An Analysis of Limitations to Watchdog Journalism in the Vietnam War (1964-68)”
Apoorva Rangan has written a masterful analysis of war reporting in the early years of the Vietnam conflict. In it, she asserts that the war coverage was characterized by confused reporting policies implemented unevenly, with plenty of opportunity to circumvent recognized methods of transmitting news reports, which created a sort of chaos in perception of the war. Ultimately, reports on specific activities, some bordering on criminal, by U.S. soldiers in Vietnam contributed heavily to the public rejection of both official reports of progress and the value of continuing the war.
Although the defense department tried to maintain an air of candor to allow reporters to tell the stories in Vietnam as they saw fit, the war was being so poorly run that news reports antagonized both the president in Washington and the high command in Vietnam. As things went from bad to worse in terms of achieving U.S. war aims, civilian and military leaders tried to modify reporting through various means. Unfortunately for those leaders, but ultimately fortunately for our country as a whole, reporters could file stories via Singapore or Hong Kong civilian channels that told greater truths than those stories that had to be entrusted to the military communication system for transmission to the United States. The sad truth is, many reporters toed the line; they used the military press releases as the basis for reporting on the war, thus deluding much of the public into believing the Vietnam conflict was being fought with honor and success. It was up to reporters — who could have easily lost their jobs if company executives disagreed with their methods or reportage — to tell the humbling, embarrassing, shameful truth of how the war was being fought.
Perhaps the oddest facet of news coverage was that the U.S. really did try to let reporters do their job at first, then tried to limit what was being said through various, ultimately ineffective means, while never implementing the hard and fast censorship that has characterized war coverage before and after Vietnam.
This paper was exceptionally well-written. Rangan chose a topic narrow enough for her paper, yet presented enough detail and surrounding history to contextualize her report. War reporting has evolved to be far more encompassing and truthful through the efforts of individuals, sometimes backed by their organizations, and that evolution began in Vietnam.
Agata Sorotokin, Mitra Scholar: “The Truth Beyond Words: A Muisco-Historical Analysis of Selections from Dmitri Dmitriyevich Shotakovich’s Compositions Under the Stalinist Regime”
This careful study of the life of Dmitri Dimitrivich Shostakovich, juxtaposed against his times, illustrates through musical analysis, anecdotes and historical context, his unswerving determination to maintain his artistic freedom even under one of the most repressive regimes of modern times.
Using the above elements, Sorotokin has woven a story that goes beyond even Shostakovich’s struggle to illustrate the struggle all honest artists faced under the limits imposed by political repression under the greatest murderer of modern times, Josef Stalin.
Sorotokin focused on three Shostakovich pieces – an opera, a symphony and a chamber piece –to show how the composer did his best to follow the precepts of socialist Russia while striving to maintain his artistic integrity. Alas, there was no room in that country, in that era, for real personal integrity, only for self-delusion or naked conformity to avoid the knout.
Shostakovich tried hard to reconcile his integrity with political repression, but the inconsistencies of the Soviet system, deep corruption on high vs. mass idealism below meant that integrity in all the arts was caught between the vagaries of untutored leaders passing judgment and the fickle praise of the masses who, having no real choice, swung to and fro, for and against, artists as the regime clasped them to its bosom or metaphorically pushed their faces in to the mud.
Shostakovich fell out of favor, then back in, and the pieces Sorotokin uses to illustrate the composer’s artistic path follow that pattern, with his symphony being praised, his opera reviled and, following another cycle of rehabilitation and rejection, survival after the death of Stalin. After a government-instigated cultural visit to New York where he felt forced to criticize fellow composer, Igor Stravinsky, Sorotokin notes “Shostakovich began to write his Fourth String Quartet, which he did not even attempt to have performed until after Stalin’s death. Placing the piece of chamber music ‘in the drawer,’ he was unafraid to express his ‘authentic’ emotions in the work.”
Sorotokin clearly admires Shostakovich and by the end of the paper, it is hard not to do so. He repeatedly jeopardized his freedom supporting others and he repeatedly tried to be a good citizen by volunteering for duty during World War II when Russians were dying in heaps to keep the German Army at bay.
Sorotokin includes several passages from Shostakovich’s works pointing out how he made the music tell his story of life, including a protest against anti-semitism, which was a reoccurring theme in Russia. Sorotokin finishes leaving readers with a solid feeling for Shostakovich’s efforts to produce his incredible music under extremely trying historical circumstances.
Vedant Thyagaraj, Near Scholar: “Increasing the Efficiency of United States Healthcare: Addressing Adverse Selection in the Health Insurance Market Through the Patient Protection and Affordable Care Act”
Vedant Thyagaraj has produced an impressive study and analysis of U.S. health insurance that codifies all the issues thinking people have come to recognize as wrong with our health care insurance system. Two of the biggest issues that consumers face are listed by Thyagaraj early on in the document:
“Defensive medicine, where doctors prescribe medical treatments that are not necessarily in the patient’s best interest but protect the doctor from potential lawsuits, has also become more common and has resulted in increased medical costs, which indirectly raises insurance premiums. The flip-side of this argument is physician-induced demand; doctors and other medical practitioners will prescribe treatments for patients that are superfluous and unnecessary, in order to increase their own profits.”
Thyagaraj says these problems are due to information asymmetry, and notes information symmetry has two distinct market failures: moral hazard and adverse selection. He focuses on adverse selection for most of his paper (although an exploration of moral hazard sounds very interesting!).
“Adverse selection has affected the health insurance market for many decades. As no prior economic solution has succeeded, this market failure has been elevated to the most important health care economic inefficiency in the market for health insurance. Adverse selection occurs due to information asymmetry between customers and insurance providers and is typically characterized by high-risk patients increasing insurance premiums so significantly that lower risk customers drop out of the market.”
He went on to note that “When high-risk individuals join an insurance plan seeking medical coverage, the insurance provider compensates for the increased risk by raising premiums. However, many low-risk individuals, who were previous subscribers to this insurance plan, may find that the new premiums are not justified (and) terminate their health insurance plans.” With the healthy insured dropping out, insurance companies then raise the rates of those still in the plan to cover costs. This spiral is an inevitable outcome of adverse selection that could eventually “lead to the collapse of the insurance pooling mechanism,” Thyagaraj added.
Fortunately, Thyagaraj found there are workable solutions to the problem, one of which is universal insurance coverage, instituted by the government, which “could help reduce adverse selection by maintaining a balance between high-risk and low-risk individuals in insurance population pools (and) the recent Patient Protection and Affordable Care Act seems to meet these requirements, giving it solid theoretical potential to defeat the health insurance market’s greatest economic failure.”
This is a complex paper, but it addresses an issue of concern to virtually every U.S. resident. It makes great reading for those interested in the issues – thoughtful, clear language, good case studies and rational conclusions.
Felix Wu, Near Scholar: “Straight Outta Compton: Hip-Hop and the 1992 Los Angeles Riots”
Felix Wu has written a paper on a topic not familiar to many readers, but one that should be taken as a manifesto of these times where police violence against black men has become one of the most important topics our society can address. The paper analyses the expressions of anger coming from the black community in reaction to repeated incidents of black men dying at the hands of police when there is no discernable threat from the victim. What makes the paper particularly interesting is that Wu examined rap or hip-hop lyrics for what they present to listeners about the grief, frustration and anger coming from the black community as they continue to fight what can easily be defined as institutional lynching.
Wu was able to source many songs, covering a sad 21 years of racial assassination, starting with the Rodney King beating in 1991. He tells the story for those too young to remember it, but the story needs no retelling for most adults, as it was a seminal event in recognizing that black men are beaten and killed weekly – if not daily – in the United States. The beating itself remains deeply shaming, and each incident following, up to the very recent death of a black man in Baltimore police custody from a severed spine, add to that shame for those who are in a position to do one of two things: use our political voices and vote to effect change for those who do not have the votes or political savvy to do so on their own.
Wu spends some time discussing the effect of crack cocaine on the black population and how rap music addressed it, and how it ties into perceptions that blacks are to blame for their own problems. He also discusses changes in gang activity and how rap musicians made multiple efforts to speak to their fellow black men to illustrate how black-on-black violence needed to be addressed within their community. Wu has written a fascinating paper on how the black community’s music has affected it politically in a number of ways and, although many may be generally aware that the music addresses some of the most important issues in the black community, this paper lays it out in black and white, as it were: We need to change how we all, and especially the police, treat black males if we want them to succeed in our society.
Stanley Xie, Mitra Scholar: “Understanding Gender Differences in Depression: The Evolution in Our Understanding for Rumination and Co-Rumination in the Midst of the Social Media Revolution”
Stanley Xie has written a wonderful paper on depression and everyone should read it. Xie examines the relationship between depression and social media interactions and, although he speaks directly to gender differences, and notes that women are roughly twice as likely to suffer from depression, the crux of the paper applies to all since depression affects those around the depressed person, as well.
Xie verbalized some key factors affecting an individual’s state of mind that, when read, seem obvious, but are so entrenched they are easy to overlook. He repeatedly notes that women form closer friendships than men and that those friendships have an ambiguous impact on depression since talking about a problem can help, but dwelling on it can hurt. Here is a highly telling excerpt from his paper:
“Interestingly, they found that friends who co-ruminate with each other, despite their supportive attitudes, engage in more problem talk, possibly explaining the discrepancy between close friendships and increased depressive symptoms. These results support Stone et al. (2011), who found that co-rumination statistically increased the chance for an individual to be depressed and likely serves as one of the driving factors bringing about the gender differences beginning in adolescence. Interestingly, Rose et al. (2007) and Star and Davila (2009), also found that co-rumination occurs in both genders, but female co-rumination contributes more often to depressive behavior, a trend that appears independent of their higher rates of rumination. Because females form closer friendships, they are more likely to open up about and rehash their problems with their friends, contributing to their depressive symptoms.”
Xie does address the issues raised around depression with social media and his analysis seems so logical that its value is in its simplicity. Overtly, communication via social media isn’t as complete as face-to-face due to the lack of facial and body cues transmitted, but it turns out that the sheer volume and number of channels, plus human coping systems allow for pretty good subtextual communication after all.
Xie notes: “The fact is that although nonverbal cues in face-to-face communication may not be present during online conversations, there are so many different ways of communicating through social media than in person. For example, adolescents can take a few ‘snaps’ for their friends, sharing small tidbits of their day with their friends, join a large group chat to continue socializing, and then video chat other friends. Thus, the lack of cues is made up for through the sheer number of different ways teens can present themselves online.”
This exceptionally well-written paper deals with a complex subject, one that strikes home with every thinking person since depression is so pervasive.
The 2015-16 endowment recipients, all, as usual, rising seniors, have been selected!
John Near Excellence in History Education Endowment Fund: Zarek Drozda, Shannon Hong, Jasmine Liu, Sadhika Malladi and Sahana Narayanan.
Mitra Family Endowment for the Humanities: Kaitlyn Gee, Kavya Ramakrishnan, Elisabeth Siegel and Natalie Simonian.
We’ll be looking for some great papers from these students in a year! Go Researching Eagles!
This article originally appeared in the winter 2014 Harker Quarterly.
On Oct. 12, the Harker community united at the middle school campus for the Harker Family & Alumni Picnic Harvest Festival, held each year to draw together families, faculty, staff and alumni in a fun – and fundraising – setting. As in past years, attendees played carnival games, enjoyed a variety of foods, watched performances by Harker students, renewed past friendships and made new friends. This year’s festival was capped by great news about the events center fundraising effort, which exceeded the $20 million goal and raised $25.4 million.
Festivalgoers had no shortage of activities to choose from. Some headed to the field for classic pastoral games such as the sack race, while others enjoyed a round of laser tag, new last year, which featured an improved arena with more obstacles.
The silent auction was also as popular as ever, with a wide array of prizes from wine tasting trips to boogie boarding lessons to premium seating at a 49ers game at Levi’s Stadium. This year’s raffle was improved to offer entrants more opportunities to win prizes by having students sell tickets at every school event leading up to the festival, including Homecoming. Prizes included gift cards to local businesses and eateries, fashion accessories and free dress days.
“It exceeds our expectations,” said Harker parent Lloyd Bakan (Cooper, preschool), who was attending his first Harvest Festival. “I didn’t know what to expect, but it certainly is a great atmosphere and fun for all the kids and parents.”
Harker students, meanwhile, were excited to see their friends and enjoy the atmosphere. “You get to have a lot of fun and you get to see all your friends and play a lot of games,” said Alaina Valdez, grade 6.
“I’ve been coming here for 10-plus years and each year I have more and more fun,” said senior Jeton Gutierrez-Bujari. “I love the different booths and seeing all my friends. I think having your friends here is definitely a plus.”
Many alumni gathered at the alumni barbecue luncheon, where graduates reunited to catch up and share memories of their years at Harker.
The middle school campus’ outdoor amphitheater was the center of attention for much of the day as performing arts groups from the lower, middle and upper schools – including the upper school show choir Downbeat, middle school dance groups Showstoppers and High Voltage, and the lower and middle school jazz bands – kept audiences entertained.
One of the biggest attractions this year was Witch’s Flight, a 300-foot long zip line ride that enticed thrill-seekers throughout the day. Riders hollered with delight as they flew across the air 30 feet above the festivities.
Elsewhere, attendees enjoyed the many food choices available. Food trucks served diverse items such as tacos, Korean barbecue and grilled cheese sandwiches, in addition to the selection of grilled foods, pizza and Indian cuisine.
Capping off the fun and excitement was the announcement about the $25.4 million raised for the events center with the generous help of the Rothschild matching gift challenge. The announcement was made with the assistance of Harker’s MathCounts team, who guided the audience through the somewhat complex nature of the fundraising process. Naturally, the announcement was met with much applause, gratitude and excitement from those in attendance!
This article was originally published in the winter 2014 Harker Quarterly.
A special accommodation has been made by the Rothschilds, trustees and fellows. This accommodation will allow those who have not yet participated during the short six-month original period of the Rothschild challenge to still double the impact of their gifts and become a part of the Partners’ Circle.
The accommodation will allow Harker to “replace” up to the $2.5 million used from the Trustees & Fellows Fund with new contributions from those who have yet to participate or who wish to increase the amount of their existing pledge. Current families, alumni, parents of alumni, grandparents and staff who would like to know how they can participate in the Partners’ Circle should contact Joe Rosenthal at joe.rosenthal@harker.org, or visit www.harker.org/eventscenter and click the “pledge now” icon.
This article was originally published in the winter 2014 Harker Quarterly.
In keeping with Harker’s culture and tradition of philanthropy, more than 1,000 families rallied to help meet the school’s historic $10 million Rothschild Matching Gift Challenge.
Chris Nikoloff, head of school, announced the remarkable achievement at the conclu- sion of the annual Family & Alumni Picnic on Oct. 12. He said that Jeff and Marieke Rothschild’s intention was to inspire other members of the community to act and join them in supporting the construction of a new events center by accelerating fundraising to a level that enables Harker to move from the conceptual design stage to actually bidding out the project.
The challenge was met with $7.5 million in direct capital gifts and $2.5 million of the $5 million Trustees & Fellows Matching Fund, which matches qualifying gifts made to annual giving. “With the Rothschild challenge met, we went from just under $5 million dollars to just over $25 million dollars in our overall campaign goal in just six months,” Nikoloff reported.
All donors who made gifts helping Harker to meet the challenge will be recognized as members of the Partners’ Circle and will have their names listed on a special plaque in the new events facility.
We are saddened to announce that James “Jim” Near, father of longtime history teacher John Near, passed away Oct. 12 in Maui, Hawaii. He was 87 years old.
Jim and his wife, Patricia, established The Harker School’s first endowment, the John Near Excellence in History Education Endowment Fund, in 2009, to honor their son’s teaching career after he passed away in September of that year. Many students and families have since made memorial contributions to the endowment, increasing both the scope and breadth of the research that students honored as Near Scholars have been able to explore each year with their grants from the endowment. Recent research topics have included the impact of the feminist and civil rights movements on the disability rights movement of the 1960s and ’70s, and an in-depth review of news coverage on the Vietnam War and the resulting tension between news media and the federal government.
Jim Near’s generosity and vision will support our students and their teacher mentors in perpetuity, as they explore their interest in history research at The Harker School. The Endowment also funds the continued development of the John Near Resource Center in Shah Hall on the Saratoga campus.
Jim is survived by his granddaughter, Casey Near ’06, and daughter-in-law, Pam Dickinson, Harker’s Office of Communication director, as well as his wife, three sons and daughter. Contributions can be made in Jim’s honor to the John Near Excellence in History Education Endowment Fund by emailing Allison Vaughan at allison.vaughan@harker.org.
It was with tremendous gratitude that Chris Nikoloff, head of school, announced on Oct. 13 the exciting news that the Harker community contributed just over $10 million in gifts and pledges, meeting the deadline for the historic Rothschild matching gift challenge.
The entire Harker community is enormously grateful to Harker parents Jeff and Marieke Rothschild, who matched $10 million in gifts, essentially doubling every contribution made between April 21 and Oct. 12. The $30 million capital campaign rose from just under $5 million on April 21 to just over $25 million on Oct. 12. This intensive, six-month challenge inspired many in the Harker community to act.
The challenge was met with outright gifts to the capital campaign combined with funds from a second matching gift fund established by Harker’s Board of Trustees and Board of Fellows. Trustees and fellows, who already contribute their time and unmatchable expertise, were key to preserving the much-needed annual support of our programs while inspiring the community to contribute to the events center.
There currently remains approximately $1.3 million in the trustees and fellows gift fund to be matched, and while the capital giving challenge has been met, families and alumni who have not yet had a chance to participate in the campaign can still have their annual giving gifts matched to double the impact of their contributions.
“The entire Harker community is especially indebted to Joe Rosenthal, executive director of advancement, and his advancement team, whose commitment to the children was evident in their work,” said Nikoloff in an email following the school’s annual Harvest Festival, where several hundred donations were logged in just a few short hours, putting the fund over its goal.