This article originally appeared in the summer 2014 Harker Quarterly.
Amid the festivities leading up to graduation, seniors active in the performing arts have a pregraduation of sorts: they graduate from the Harker Conservatory’s certificate program, signaling their successful completion of a fouryear course in dance, technical theater, theater, vocal or instrumental music, or musical theater.
Seniors performed selections from their portfolios to a packed house at the Mexican Heritage Plaza Theater in San Jose.
Acts ranged from a Shakespearean monologue, divided into two parts performed toward the beginning and end of the show, to a clarinet sonata during which the instrument was slowly dismantled section by section, leaving the player with only a mouthpiece. Dance graduates performed and musical theater students enacted moments from Broadway shows. Vocalists, a harpist playing a traditional Chinese instrument, and classical and jazz instrumentalists rounded out the eclectic evening, overseen by a technical theater graduate.
This article originally appeared in the summer 2014 Harker Quarterly.
Neon, stone-washed denim and gallons of hairspray made a temporary comeback during the Harker Conservatory’s spring musical, “The Wedding Singer,” which played at the Blackford Theater in late April.
Mid-‘80s New Jersey was the setting for this lovable romantic comedy, directed by Laura Lang-Ree. Happy-go-lucky wedding singer Robbie (Ian Richardson, grade 12) goes from ecstatic to crestfallen when his longtime girlfriend Linda (Caroline Howells, grade 11) unceremoniously dumps him at the altar with a note. The resulting comedy drew plenty of laughs, as well as “oohs” and “ahhs” for the Katie O’Bryon choreographed musical sequences, not to mention “awws” for its heartfelt emotional center.
Set against the ostentatious backdrop of the 1980s, “The Wedding Singer” employed many nods to the culture of the decade. The musical’s score, fittingly filled with touches of synth pop and new wave, was wonderfully played by The Wedding Singer band, directed by Catherine Snider.
As with every major performing arts production, the student crew proved invaluable.
This article originally appeared in the summer 2014 Harker Quarterly.
Neon, stone-washed denim and gallons of hairspray made a temporary comeback during the Harker Conservatory’s spring musical, “The Wedding Singer,” which played at the Blackford Theater in late April.
Mid-‘80s New Jersey was the setting for this lovable romantic comedy, directed by Laura Lang-Ree. Happy-go-lucky wedding singer Robbie (Ian Richardson, grade 12) goes from ecstatic to crestfallen when his longtime girlfriend Linda (Caroline Howells, grade 11) unceremoniously dumps him at the altar with a note. The resulting comedy drew plenty of laughs, as well as “oohs” and “ahhs” for the Katie O’Bryon choreographed musical sequences, not to mention “awws” for its heartfelt emotional center.
Set against the ostentatious backdrop of the 1980s, “The Wedding Singer” employed many nods to the culture of the decade. The musical’s score, fittingly filled with touches of synth pop and new wave, was wonderfully played by The Wedding Singer band, directed by Catherine Snider.
As with every major performing arts production, the student crew proved invaluable.
This article originally appeared in the summer 2014 Harker Quarterly.
Neon, stone-washed denim and gallons of hairspray made a temporary comeback during the Harker Conservatory’s spring musical, “The Wedding Singer,” which played at the Blackford Theater in late April.
Mid-‘80s New Jersey was the setting for this lovable romantic comedy, directed by Laura Lang-Ree. Happy-go-lucky wedding singer Robbie (Ian Richardson, grade 12) goes from ecstatic to crestfallen when his longtime girlfriend Linda (Caroline Howells, grade 11) unceremoniously dumps him at the altar with a note. The resulting comedy drew plenty of laughs, as well as “oohs” and “ahhs” for the Katie O’Bryon choreographed musical sequences, not to mention “awws” for its heartfelt emotional center.
Set against the ostentatious backdrop of the 1980s, “The Wedding Singer” employed many nods to the culture of the decade. The musical’s score, fittingly filled with touches of synth pop and new wave, was wonderfully played by The Wedding Singer band, directed by Catherine Snider.
As with every major performing arts production, the student crew proved invaluable.